motown extended versionsmotown extended versions

(That Playboy knew he was never getting their digits.) Things are not what they seem, admits Smokey, a topic he also dealt with in Tears Of A Clown. His pain was our gain. The songs vibe is consciously international, fitting in Caribbean, Spanish, and Swahili phrases. The Love You Save The Jackson 5 / U.S. All This Love DeBarge / U.S. What Becomes Of The Broken Hearted Jimmy Ruffin. Sam Armstrong, One of the greatest duets ever, this Lionel Richie-penned tune topped the Billboard charts for nine weeks. K.G. K.H. Adult Contemporary U.K. Australia Austria Canada France Germany Ireland Netherlands Norway Switzerland, 12. Drawn from a decades-long catalogue thats a gift that keeps giving and giving, the best Motown songs not only defined their era, they remain timeless examples of classic pop. I kind of got that from my own experiences that was Lionel Richie from Tuskegee, Alabama, where there is no such thing as four-in-the-morning partying. K.G. Pop U.S. R&B, 3. Bad Weather is weirdly forgotten these days, but its a glorious taste of early 1970s sad-girl rainy-day funk. Do You Love Me The Contours / U.S. R&B, 4. C.H. Teena Marie was among those who took note, incorporating a cheerfully all-over-the-place rap interlude in her 1981 hit Square Biz: Im less than five foot one, a hundred pounds of fun/I like sophisticated funk/I live on Dom Perignon, caviar, filet mignon/And you can best believe thats bunk. The goofy bluster adds to the festive air of Square Biz, a hard-funk workout with seismic, popping bass work and intricate horn charts. Give It To Me Baby Rick James / U.S. R&B U.S. Dance/Disco, 8. 5. Pop U.S. R&B U.K. Australia Canada Ireland, 15. Spartan yet sweet, it hearkened back to the doo-wop era at a time when soul music was just beginning to get lavishly psychedelic, a simple statement of love and determination that got the groups career going after years of waiting in the wings. Do It Baby The Miracles / U.S. R&B*/**, 9. Rockin Robin Michael Jackson / U.S. In terms of sound, it heralded what was to come on Marvin Gayes classic Whats Going On album. And amid all the hits, there are still lesser-known gems to be discovered. Ahora ya en portada! The expert engineering at Motown extended all the way to the cutting of the master discs. Reggae was just beginning to catch a fire in the U.S. in 1974, but as always, Stevie Wonder was ahead of everyone else: He took it to the Top Ten. J.D. (That initial bang is the sound of guitarist Eddie Willis accidentally kicking his amp.) That its songs still sit among the greatest and most soulful ever recorded is testament to the relentless quality of the artists and songwriters Gordy hired. The box set also contains an exclusive 100-page book with rare and classic photographs, detailed track annotations and an introduction by Smokey Robinson, himself responsible for 20 Motown No. There was a lot of life in The Supremes after you-know-who quit. J.N. There have been hundreds of non-Motown remakes of Motown songs. Awe-inspiring. An ode to staying positive during difficult times a very vogue-ish song subject matter during the Vietnam era I Just Want to Celebrate fused a beefy funk groove, a wild rock-style wah-wah guitar solo, and a midsong breakdown. Thatstrangeness aside, the elegantly sumptuous record co-written byJohnny Bristol, a songwriter and producer who can also be heardsinging in the background is one of the most majestic and poignantrecords of the Motown era. (I Know) Im Losing You The Temptations / U.S. R&B, 8. Pop*/**. is wildly ambitious and recklessly groovy, maybe nowhere more than its title song. Pop U.S. R&B, 22. All Night Long (All Night) Lionel Richie / U.S. The track, originally titled Oh, My Marsha after Wonders girlfriend, is expertly featured in Almost Famous, when Penny Lane overdoses on quaaludes and has her stomach pumped inside the Plaza. You Havent Done Nothin Stevie Wonder / U.S. A.M. [The feeling of] Easy like Sunday morning applies to anybody who lives in a small Southern town, he once told, . Please Mr. Postman The Marvelettes / U.S. Rhythm of The Night DeBarge / U.S. R&B U.S. Boogie On Reggae Woman Stevie Wonder / U.S. Pop* U.S. R&B*, 10. I Can't Help Myself (Sugar Pie, Honey Bunch) (Extended Alternate Background Vocals Stereo Mix) 2-16: Four Tops - Something About You: 2-17: The Supremes - Stop! The Motown Box Box Set, Remastered Michael Jackson Format: Audio CD 33 ratings $12592 See all 3 formats and editions Streaming Unlimited MP3 Listen with our Free App Audio CD $125.92 5 Used from $14.99 2 New from $125.92 2019 Preview 1 I Want You Back (Z-Trip Remix) Jackson 5 4:35 2 I Heard It Through the Grapevine (The Randy Watson Experience Sympathy For The Grapes Mix) Gladys Knight & The Pips 5:30 3 Let's Get It On (Da Producers MPG Groove Mix) Marvin Gaye 4:22 4 If youre not in the mood, this can almost be too intimate but who isnt in the mood when Marvin starts to sing? Shoeshine Boy Eddie Kendricks / U.S. R&B, 13. Gaye sings about street life in his falsetto, declaring, Theres only three things in life thats sure taxes, death, and trouble. R.S. Pop Australia, 13. Today, Forever - Extended Version (DVD, 2016, 6-Disc Set) $49.99. Man, he was one of the major forces in the Motown sound, Stevie Wonder told Rolling Stone in 1973, just a few years after Benjamins fatal stroke. Down To Love Town The Originals / U.S. Dance/Disco, 6. Love Hangover Diana Ross / U.S. Heaven Help Us All Stevie Wonder / U.S. R&B**, 21. 6. In the mid-60s, Barrett Strong became the lyrical lynchpin for the symphonic songs of Norman Whitfield, but before that he was quite something as a singer-songwriter, delivering this massive monetary smash in 1961, as covered by The Beatles on their With The Beatles album. Marvin and Tammi never sounded better, solo or together. Originally released by Harold Melvin and the Blue Notes in 1975, Thelma Houston covered Dont Leave Me This Way for her fourth album, Any Way You Like It, a year later. mosogotam 136K subscribers Subscribe 5.3M views 11 years ago ..a classic Motown song.and. I mean, she delivered a vocal performance that folks are gonna be listening to as long as human beings are capable of love. R.S. It took shape in the studio in the form of hiccuping drum fills, organ blasts, and Walkers stylishly hyperactive saxophone, which darts like a man trying to take cover from gunfire without scuffing his shoes. I Love Your Smile Shanice / U.S. R&B, 8. Overjoyed Stevie Wonder / U.S. Adult Contemporary Canada, 2. Dont you hate when facts ruin a good story? Because they were my brothers and sisters.. One Day In Your Life Michael Jackson / U.K. Ireland, 10. Penny Lover Lionel Richie / U.S. When they arrived at the studio, they came prepared with charts and a production blueprint, though there was still room for improvisation: That distinctive tick-a-tick-a-tick is drummer Uriel Jones hitting his snares metal rim. Best motown songs 1. D.B. Blowin In The Wind Stevie Wonder / U.S. R&B, 3. Set to a lilting waltz arrangement, this bittersweet tale of anxiety is never resolved appropriately, as couples still face the same problem. As Ross put it, if theres a cure for this, I dont want it. E.L. 11: Diana Ross: Love Hangover. Walk Away From Love David Ruffin / U.S. R&B, 18. K.H. Copyright 2023 Baby Thats Backatcha Smokey Robinson / U.S. R&B, 15. [C# Fm B D# G#m] Chords for Diana Ross Supremes Motown "Forever Came Today" My Extended Version! You Will Know Stevie Wonder / U.S. R&B, 16. Pop** U.S. R&B, 16. We are keeping you music alive Duke! Send One Your Love Stevie Wonder / U.S. The Tops in 1967 were on a roll, including this huge. For Wonder, the tune was simply a feel-good tribute to Count Basie, Ella Fitzgerald, and Sir Duke himself, Duke Ellington. Touch Me In The Morning Diana Ross / U.S. He also adds the flirty sentiment, Id like to see you in the raw under the stars above. One of the songs biggest fans: Jerry Garcia, who immediately started playing it on the road and loved to jam on Boogie On Reggae Woman for 17 or 18 minutes at a time. Norman Whitfield, the architect of psychedelic soul, and singer-songwriter Barrett Strong originally wrote this warning to backstabbers for the Temptations, who recorded it in 1971. 4 Seasons Of Loneliness Boyz II Men / U.S. Thats unfortunate, because Robinsons body of work in this decade is frequently spellbinding, perhaps nowhere more than Quiet Storm, an album that lent its name to an entire subgenre of misty, meticulous R&B. Detroit-born 29-year-old Berry Gordy founded Tamla Records with an $800 loan from . 1. The important thing is to keep listening to and paying tribute to the greatest label and the greatest roster of stars, writers, producers, arrangers, etc., ever assembled on one label. I Heard It Through the Grapevine (The Randy Watson Experience Sympathy For The Grapes Mix), Let's Get It On (Da Producers MPG Groove Mix), Signed, Sealed, Delivered (I'm Yours) [DJ Smash Essential Funk Mix], Abc (Salaam Remi Krunk-A-Delic Party Mix), I Just Want to Celebrate (Mocean Worker Remix), Papa Was a Rollin' Stone (DJ Jazzy Jeff And Pete Kuzma Solefull Mix), Quiet Storm (feat. You could make a case that the Seventies Supremes rate right up there with the Sixties edition and Bad Weather is Exhibit A. Pop U.S. R&B U.S. Recalled the Temptations Otis Williams of this combustible protest epic: When I heard the groove to that I thought, Man, thats got to be funkier than unwashed armpits, cause it had the funk on it, it had the stink. The Temptations cast a wide net on Ball of Confusion, inveighing against everything from segregated housing to kids growing up too fast to unemployment to tax increases to tax deductions to piles of bills that make you want to move to the hills. Ross uses a single tempo shift to great, dance-floor-destroying effect in Love Hangover, vaulting from breathy, besotted, slinking funk to darting disco, with cymbals shushing like angry passengers on an Amtrak quiet car. 38: Keep On Truckin' (Eddie Kendricks) And here's a. In search of rock cred at the end of the Sixties, Motown started a subsidiary label, Rare Earth, named after one of its first signings, a Detroit band. Ballerina Girl Lionel Richie / U.S. A medley of Motown. One of my favourite Motown duets ever. First recorded by The Temptations, but a huge hit for The Undisputed Truth in 1971, heres the hard-edged aspect of Motown, superbad and tough. That letter she wanted probably held a 1961 gold record. R.S. The guy said, Lionel, theres 101 African dialects,' Richie explained to the New York Post. Save my name, email, and website in this browser for the next time I comment. Dueling funk riffs slide over proto-boom bap drums as frontman G.C. Poor Bernadette, she never had a chance of living up to Levi Stubbs unrealistic expectations of her. How Sweet It Is (To Be Loved By You) Marvin Gaye, #1 cover version by James Taylor: U.S. From an earthy groove that recalls Sly and the Family Stone to lyricsthat warn a flirtatious partner to take it slow/or someday youll be all alone, the Jackson 5s third straight Number One was a step in a more adult direction than I Want You Back and ABC. Leading the way, naturally,was Michael: His pipsqueak voice packed so much intensity and fervorthat he really did sound like a wounded grown-up and not the11-year-old he was at the time. Pop U.S. R&B Canada, 10. Had to get you and so I knew/I had to learn your ways and habits. Smokey Robinson penned the track, and the language is consistently sinister even when the rabbit turns on the fox, love is likened to a sudden slap. But Youngs vocals are pristinely untroubled, and the music is all easy swing and bright strings: In this version, rabbit and fox live happily ever after. Pop U.S. R&B U.K. 23. War Edwin Starr / U.S. In 1970, the Spinners one of Motowns smoothest vocal groups had been off the charts for four years, when Stevie Wonder and Syreeta Wright co-wrote what would become their biggest hit. More Smokey magic, this time as a tunesmith alongside fellow Miracle Pete Moore. Good investment. I mean, she delivered a vocal performance that folks are gonna be listening to as long as human beings are capable of love., had James Brown. Upside Down Diana Ross / U.S. Pop U.S. R&B, 8. Aint No Mountain High Enough Diana Ross / U.S. Pop U.S. R&B, 14. . With a Number Three pop hit that was his first single to top the R&B charts, Wonder was just getting started. A happy and glorious 1977 No.1. May 17, 2019 Adult Contemporary, 17. Forever Came Today The Jackson 5 / U.S. Dance/Disco, 17. Boogie On Reggae Woman is a synth-funk electro-skank where Stevie plays nearly everything himself, from the harmonica solo to that filthy Moog bass line. Just My Imagination (Running Away With Me) The Temptations / U.S. It will be available digitally and in the eye-catching physical release, in which the 11 CDs are housed in a replica of Motowns original Hitsville USA headquarters in Detroit, Michigan, now home to the Motown Museum. Working out of a separate mixing and mastering room . Rolling Stone is a part of Penske Media Corporation. 22. Full of beans, Michael Jackson and the rest of the boys from Gary, Indiana, break big with their first Tamla single, sounding like a junior Sly And The Family Stone crossed with a teenage Temptations. This tune, co-written by Stevie Wonder, was the groups most successful song for Motown, reaching No. Diana Ross was on the precipice of solo stardom when she recorded Love Child, which was ostensibly a solo single anyway, since it was one of the first Supremes recordings without any other actual Supremes on it. You Beat Me To the Punch Mary Wells / U.S. R&B, 6. Kinda ironic that Motowns biggest songs for years came from a Philadelphia group. , when Penny Lane overdoses on quaaludes and has her stomach pumped inside the Plaza. Beauty Is Only Skin Deep The Temptations / U.S. R&B. The terrible irony is, The Supremes didnt sing on it at all, though you can hear Bristols voice urging Diana onwards and upwards. Since Smokey Robinson wrote Marvin Gayes first Number 1 R&B hit, Ill Be Doggone, standard Motown operating procedure dictated that Robinson produce the follow-up, too. Its since been one of the tracks used in countless TV shows and films to stand in for the 1960s as a decade, ensuring that this Motown song will continue to resonate for generations to come. So You Think You Know Martha And The Vandellas? Dont Look Any Further Dennis Edwards featuring Seidah Garrett, #1 cover version by Kane Gang: U.S. Dance/Disco, 1. Writers Norman Whitfield and Barrett Strong came up with a track that was just as incisive and explosive as the lyrics. brick house means shes stacked, Commodores frontman Lionel Richie once said. Pop U.S. R&B U.K. Australia Ireland, 10. Older dancers know Edwards and Garretts single reaches back to Abraxame, an underappreciated track from the group Barrabas, which had some success in New York clubs in the early Seventies. Adult Contemporary, 18. Somebodys Watching Me Rockwell / U.S. R&B, 9. direction than I Want You Back and ABC. Leading the way, naturally, was Michael: His pipsqueak voice packed so much intensity and fervor, that he really did sound like a wounded grown-up and not the, but they blend together to produce the kind of sunshine-soul pop that could only exist in 1969. Youre All I Need To Get By Marvin Gaye & Tammi Terrell / U.S. R&B, 20. Co-written by Pam Sawyer, whod been fashioning songs for Ross since Love Child, this is one of the best disco records ever made. Brick Houses curious compliment for a mighty mighty female, with lyrics penned by Shirley Hanna-King, wife of the bands hornsman William King, was a US smash in 1977. We notice that you are using an, https://www.youtube.com/playlist?lis0VgLdRY8nxPcuS. Ive Never Been To Me Charlene / U.K. Australia Canada Ireland, 15. Its All In The Game Four Tops / U.S. R&B*, 12. Sam Armstrong, Marvin Gayes poignant song about the environment only becomes more relevant as time goes on. The Undisputed Truth did it first, in 1972, but The Temptations landed the smash hit the following year with this version full of badass badness. I kind of got that from my own experiences that was Lionel Richie from Tuskegee, Alabama, where there is no such thing as four-in-the-morning partying.. These songs are so enjoyable in the longer versions. On 12 January 1959, the music sensation that changed America - and the world beyond it - was set in motion. Pop U.S. R&B, 3. First Of May: A Key Date In The Early Bee Gees Calendar, Live At The Apollo: Soul Dynamite In Harlem From James Brown, (Is This The Way To) Amarillo: Comic Relief Takes Tony Christie Back To Texas, Renaissance Man In A Cowboy Hat: Country Phenomenon Tim McGraw, Mulan: A Disney Soundtrack Fit For A Warrior, Little Walter: The True King Of Blues Harp, Karma: Pharoah Sanders Spiritual Jazz Masterpiece, Aerosmith Announces Peace Out Farewell Tour, My PeopleHold On: Eddie Kendricks Spiritual Anthem, Rare Stamps Vol.1: A Special Delivery From JJ Barnes And Steve Mancha. Mix - Four Tops "Baby I Need Your Loving" My Extended Vocal Version! As a song, End of the Road was a way for writers Kenneth Babyface Edmonds and Daryl Simmons to commiserate about their divorces (with an assist from L.A. Reid). Wrap My Body Tight Johnny Gill / U.S. R&B, 5. Though she possesses pipes that could blow down buildings, Gladys Knight prefers to use them subtly and, from the get-go at Motown, seemed more adult than her contemporaries. 0:05. Runaway Child, Running Wild The Temptations / U.S. R&B, 2. In the space of three minutes, he declares, I live only to hold you and I need you to live before he escalates his infatuation to Youre the soul of me, more than a dream, youre a plan to me by the tunes end. . The Commodores were many things; subtle was not one of them. Not much became of the imprint, which closed up shop by the mid-Seventies. With Dianas name now in lights, The Supremes set about tackling the problem of delivering soul in a psychedelic year (1967) by making a psychedelic soul record. Scroll down for the full tracklisting, and pre-order it here. Automatically Sunshine, riding a brilliant little bass run, finds the girls in the masterly supervision of Smokey Robinson, who created a thoughtful yet still danceable sound that was both contemporary to 1972 and true to Motowns classic values. The upbeat tempo contrasts to the cringeworthy moment as her heels slide up and down the marble tile to the euphoric horns very rock & roll. I've also done some of my own Motown extensions and reworkings, of which I've shared Youtube links on here since I joined the board a few months ago. Wanda Young, in The Marvelettes lead singers role, had set a tender trap for a fella, but love hit me like a sudden slap, turning the tables. For the breakdown in the middle, Richie asked a friend who worked at the United Nations to recommend some African sayings. With its bright melody, inviting title hook, and effervescently insistent beat, the Supremes third Number One hit is a master class in hiding a heartbreaking message in a shiny package; Diana Ross sings about having it so bad for a boy that she leaves her friends behind so she can clear time for him to come back into her life which he obviously isnt going to do. Papa Was A Rollin Stone The Temptations / U.S. From Sixties pop smashes to Seventies protest classics, , Still sweating from her fever, Lady T marched into the booth and tore that shit up. Its hard to decide which is more joyous, the opening horns or Wonders la la las,but they blend together to produce the kind of sunshine-soul pop that could only exist in 1969. Smiling Faces Sometimes The Undisputed Truth / U.S. R&B**, 8. Alls fair in love and war: A reconnaissance mission turns into a romantic ambush in the Marvelettes hit The Hunter Gets Captured by the Game. Secretly I been tailing you, like a fox that preys on a rabbit, Wanda Young sings. The All Stars dig into the groove as though determined to show how far you can get on just one chord. Jimmy Mack Martha & the Vandellas / U.S. R&B, 11. Smokey Robinson was on such a hot streak in 1966 he could dash off a song as perfect as No More Tearstained Makeup, and decide to stash it on Side Two of a Martha and the Vandellas album. Perhaps The Velvelettes needed more attention, or to shout louder but they surely had talent to spare. The Tears of A Clown Smokey Robinson & the Miracles [U.K. version] / U.K. 18. Pop Canada, 14. An early marker of success for up and coming super-producer Norman Whitfield, this irresistible single was one of just two US Hot 100 entries for a girl group signed to a record company awash with them. Aint Nothing Like The Real Thing Marvin Gaye & Tammi Terrell / U.S. R&B, 18. Mama knows best: dont fall for the first lover you meet. In 1965, Stevie Wonders voice was changing, chart success was not forthcoming, and you might suspect that the wunderkind was washed up at 15. Pop** U.S. R&B, 2. For as scary as Stubbs sounds at some points (like when the music turns overcast the second he says her name and proclaims You belong to me) but theres also something endearing about it all, and like every great Four Tops single, its impossible not to get swept away by the chorus. CONTACT Us And while the above Aint No Mountain is okay, I think this one is clever and can be listened to much more than just a few times. Produced and penned by Holland-Dozier-Holland, this fabulous single was the only big hit for The Elgins, a highly-accomplished vocal outfit. "You Really Got a Hold on Me" by Smokey Robinson & The Miracles It's hard to resist the tune's first line"I don't like you, but I love you"which perhaps explains why this. Superstition Stevie Wonder / U.S. But his slower, altogether more spooked version was the one that stuck, no doubt helped along by Jack Ashfords subtle tambourine. Neither One Of Us (Wants To Be The First To Say Goodbye) Gladys Knight & the Pips / U.S. Forum Archives I Heard It Through The Grapevine Gladys Knight & the Pips / U.S. R&B, 14. With a boogie-woogie piano and church-steeped lyrics that blurred the sacred and the secular, I Got a Witness is arguably Gayes first classic hit, arriving in September 1963. Rep Power. Composed by Smokey and his sister Rose, Quiet Storm was not a huge pop hit, but it represents two things: a new genre of soul, which gave radio programmers an innovative format called, yes, Quiet Storm; and Motown coming to terms with the fact its music was not entirely for kids and parties anymore. Remembered today as the proper starting place for Lionel Richies massive career and a bevy of mellow ballads, Commodores earned their silver star and sleeve braid with paaartay funk, and this master jam, sung by Walter Orange, kept freaks on their feet for years. Back In My Arms Again The Supremes / U.S. Another slowie, 1964-style. Got To Be There Michael Jackson / U.S. I Second That Emotion Smokey Robinson & the Miracles / U.S. R&B, 15. Please enjoy, I hope you like it. The group apparently had doubts about dissing their dads, who were all upright folk. Burn bras and carry signs?) The piano is the engine here, pushing everything forward with heavy clumps of notes, while the brass section keeps adding injections of diesel fuel. But as heard on its most enduring single, the all-white Rare Earth turned out to be a decent fit for Berry Gordys posse. Ultimately, though, its an invigorating tribute to the unifying spirit of music itself, the equal opportunity for all to sing, dance, and clap their hands, and, frankly, Wonder deserves his own Sir Duke tribute just for writing it. When Holland, Dozier, and Holland left Motown for financial reasons, songwriter-producers Barrett Strong and Norman Whitfield stepped into the breach and took the label in a whole new direction. 5: 1965 Various Right still lifts the heart. Marvin wasnt the first singer to record I Heard It Through The Grapevine, and wasnt the first to hit with it, that plaudit going to Gladys Knight And The Pips. Please Mr. Postman The Marvelettes / U.S. All pf these are Motown gems that went to No. Four Tops "Bernadette" My BIG Extended Version!! I Want You Back The Jackson 5 / U.S. The song is a soaring, fiery call to the floor penned by the highly-skilled Lewis sisters. End of The Road Boyz II Men / U.S. These include David Bowie and Mick Jaggers Live Aid-benefitting remake of Dancing In The Street and Coolio featuring LVs Gangstas Paradise, based around Stevie Wonders Pastime Paradise., The newly-added Disc 11 in the set adds six more Motown No. Producer Hal David helped the recording sessions along by providing the participants with liquor, according to The Billboard Book of Number One R&B Hits first plying band members with shots of Rmy Martin, and later providing Ross with a little taste of vodka. Love Hangover became a Number One hit in 1976, presaging Ross success with disco on 1980s Diana. Mercy Mercy Me (The Ecology) Marvin Gaye / U.S. R&B, 6. They turned Too Many Fish in the Sea into a timeless feminist pep talk for anyone going through love troubles, with Gladys Horton as the voice of wisdom: I dont want nobody who dont want me/Theres too many fish in the sea! Benny Benjamins drums really second that emotion.

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